If your film is a gritty crime drama, you might want to try hues of a cooler color temperature. Grading is a look.”Īfter you’ve corrected the color across your entire project, you’re ready to add some color effect. “If you have 60 shots and they’re all completely different, you want to go in and make sure that every one of them is completely balanced before you color grade,” says Dougan. Color correcting first to ensure you start with balanced, natural-looking colors before you color grade means you start on an even footing. This infuses your project with a visual tone and conveys the emotions you want the audience to feel. During this phase, you can apply an overall style to the coloring of your film. The next step after color correction is color grading. The idea there is you’re adding style.”Ĭolor grading gives your footage an edge. And then color grading is more of an after effect. The idea would be to make sure that there are equal reds, greens, and blues in your image. “What you want to do is bring tones to a neutral, balanced look. “Color correction is not about style, it’s more about color accuracy,” says filmmaker Colin Dougan. Correcting white balance helps all your colors be more true to life. If your camera or lighting situation made your whites appear blue in your footage, you would correct those areas to be closer to true white throughout all your clips during this phase. The goal of this technical process is also to match the colors between each of your video clips so they are unified.ĭuring color correction, you can tweak things like exposure, contrast, and white balance and ensure that important hues like skin tones are accurately represented. Color correction is the first step, and it involves fixing issues with the color of your footage so it matches how hues and tones appear in the world. ![]() While the terms color correction and color grading are sometimes used interchangeably, they represent two distinct phases in the video editing process. Some cinematographers even bring in specialists called colorists to handle these steps. Because of this, making color adjustments is a critical part of the post-production process in filmmaking. Raw video footage looks a bit off from the colors we see in the real world. Using Color Finale® 2 or Color Finale® 2 Pro, users can then make stylistic adjustments to their Presets to better suit their content.No matter how good your lighting setup is when you shoot a video, your camera won’t be able to capture colors as accurately as the human eye does. Adding a professional color grade doesn’t get any easier than this!Įditors / Videographers - Presets are equally valid for those Final Cut Pro users who understand the color grading process, but want a professionally color graded look (a Preset) to start with. They can then copy and paste, or simply add, the same Preset look down their entire Final Cut Pro timeline. However, with just 4 clicks vloggers can quickly adjust powerful Exposure, Contrast, and White Balance controls to set their shots up optimally, before adding their chosen Preset look. Vloggers - color correction / color grading isn’t easy, we understand this.
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